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  • <blockquote>Tabitha walks, and thinks of shoes. She has been thinking about shoes for a very long time: the length of three and a half pairs, to be precise, though it’s hard to reckon in iron. Easier to reckon how many pairs are left: of the seven she set out with, three remain, strapped securely against the outside of the pack she carries, weighing it down. The seasons won’t keep still, slip past her with the landscape, so she can’t say for certain whether a year of walking wears out a sole, but it seems about right. She always means to count the steps, starting with the next pair, but it’s easy to get distracted. She thinks about shoes because she cannot move forward otherwise: each iron strap cuts, rubs, bruises, blisters, and her pain fuels their ability to cross rivers, mountains, airy breaches between cliffs. She must move forward, or the shoes will never be worn down. The shoes must be worn down.</blockquote> ➤ In which the heroines of two fairy tales help each other recognize how terribly she's been treated and run away together. Plausibly-deniable femslash, I think, though maybe the author meant it as gen
    7 years ago | View Shared by soph
  • <blockquote>She can hear Clarice explaining, in her reasonable voice, that Madeleine — bereaved twice over, made vulnerable by an experimental drug — has invented a shadow-self to love, and perhaps they should unpack the racism of its manifestation, and didn’t Madeleine have any black friends in real life? “I wish we could see each other all the time,” says Madeleine, sixteen, on her back in the sunny field, long hair spread like so many corn snakes through the grass. “Whenever we wanted.” “Yeah,” murmurs Zeinab, looking up at the sky. “Too bad I made you up inside my head.” Madeleine steels herself against the careening tug of Sylvia Plath before remembering that she started reading her in high school. Instead, she turns to Zeinab, blinks. “What? No. You’re inside my head.”</blockquote> ➤ the ending makes me so happy!
    9 years ago | View Shared by soph

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