LINKDING

<blockquote>"How much more will I forget, Joe?" Nile asks, voice small. "It's not about what you forget," he tells her, searching for the right words. "It's like...negative space. You still feel the echo of where they have been, even when you can no longer fill in all the details. Maybe you lose some of the shading: the timber of a voice, the scent of their skin. Yet you still know them by the space they have left behind." (The one where Nile and Joe are stuck alone in a car together and talk about feelings and stuff.)</blockquote>

<blockquote>Before the siege of Jerusalem, Yusuf Al-Kaysani had thought he knew what his life's passion was going to be. He was, like an early map, right in some essentials, but way off in the details and scale.</blockquote>

<blockquote>After getting thrown out of the Watchers, Joe goes back to Chicago and meets Adam Pierson.</blockquote>

<blockquote>“Believe in yourself. You are an ancient, absent god, discussed only rarely by literary scholars. So if you don’t believe, no one will.” – by-NightValeRadio</blockquote>

➤ adorable dorks preparing for a halloween party

<blockquote>One avalanche. Three Immortals, freezing to death. And they're really annoyed about it.</blockquote> ➤ author's notes: <blockquote>The problem with trying to write h/c in Highlander is that the characters' ability to recover almost instantly from anything, including death, makes it challenging. On the other hand, you can also just embrace it.</blockquote> ➤ and this embraces it BEAUTIFULLY ➤ also at http://archiveofourown.org/works/235795

<blockquote>Ahriman is an avatar of the Lone Power. Richie Ryan is a young wizard on Ordeal. Methos is all too familiar with how that story ends.</blockquote>

<blockquote>Someone is trying to blackmail Amanda, but dragging her friends into it was a really bad idea.</blockquote> http://archiveofourown.org/works/213361

<blockquote>the first time that Joe met Adam Pierson.</blockquote> http://archiveofourown.org/works/205908

<blockquote>"One Minute to Midnight" missing scene(s), taking place somewhere between the intro sequence and the first scene in the wine cellar with Joe, Duncan and Methos. Obviously there are some missing days in there. These are a few of them.</blockquote> http://archiveofourown.org/works/204811

➤ in which there's a very good explanation given for where immortal children come from, and it turns out that Methos is Duncan's father. ➤ (no wait, it's good, I swear!)

➤ interesting philosophical questions, in the form of a mystery. ➤ If it is possible to remove a preimmortal's quickening without harming them, is it moral to do so? You're stealing the possibility of thousands of years, but giving them the chance to be normal.

➤ What happens when an Immortal dies on holy ground? They get reborn. ➤ Duncan meets a boy who looks just like Methos. Shortish.

➤ convo over beer between Joe and Methos

➤ Methos invented courtly love. Oops.

➤ h/c (yes, trying to actually plausibly hurt an immortal!)

➤ does what it says on the tin. The analysis that comes first is the best part.

➤ Part of the John Farr AU! in which all immortals are universal receivers

➤ Methos and Joe have a fun chat/conversation about random stuff and it's fun to watch them interact. Also, Methos lies.

➤ Joe, old and dying; Duncan talks with him.